Suchergebnisse

• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2022

  Florian Vaßen: „einfach zerschmeißen“. Brecht Material: Lyrik – Prosa – Theater – Lehrstück. Mit einem Blick auf Heiner Müller, Berlin, Milow, Strasburg: Schibri- Verlag 2021 (= Lingener Beiträge zur Theaterpädagogik, Band XIX).

  Prof. Dr. Tom Kuhn

  …acuity and integrity of Vaßen’s insights and the elegance of his writing, the volume does not cohere as a monograph, as Vaßen acknowledges at the end of… …attack, from the mid-1980s onwards, we receive not only illuminating perceptions of Brecht, but also an impression of the wrangles of a whole generation of… …organised, not chronologically, but thematically, in six overarching chapters: poems and prose in the context of Modernism (opening with a masterful… …time again on the details of epic theatre and the Lehrstück form, but poetry and other forms are not neglected. Beyond that, Vaßen’s principal concern is… …the focus time and again, moving not only between the substantial essays and the short lexicon sketches, but also between the larger cultural-historical… …taken from Brecht’s “Fatzer” notes, at a point when Brecht was despairing of the whole project: it was not going to come together and the most that could… …verb “zerschmeißen” is striking. Interestingly, “Fatzer“ does not get an essay to itself in this volume, except as a Praxisbericht relating to Müller’s… …occupied him on and off for some four years, four not uneventful years in his development as a writer and theatre-maker. At this point in his career, Brecht… …thought. Throughout the volume Vaßen insists on Brecht’s political-pedagogic programme; not to convey discrete bundles of knowledge, but to teach and… …encourage attitudes (Haltungen) and a critical-interventionist method that we, the consumers of the work, can also apply. This pertains not merely to writing…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2022

  Ulrich Breuer: Ungeschickt. Eine Fallgeschichte der deutschen Literatur, Paderborn: Brill Wilhelm Fink 2021.

  Kirk Wetters

  …prejudice of Germans as clumsy or awkward must be borderline taboo. At least it was on the periphery of my own literary and cultural knowledge – not an aspect… …and elegance vs. German ponderousness and Schwerfälligkeit is not simply an arbitrary (and presumably false) preconception but articulates itself in a… …nationalist discourses. German literature was decidedly not exempt from such questions, but self-consciously incorporated them as a concern about its own… …finesse (or lack thereof), thereby contributing to the suspicion that Blödigkeit might be a defining feature, not only of “German-ness”, but of German… …literature. To readers of the German canon, this finding may not be so surprising. Breuer’s study, however, is not primarily thematic, nor does it focus… …, which nevertheless risks being overlooked if it is not underscored, is that the discourse of Ungeschicklichkeit is the flipside of the German discourse of… …Breuer’s account is not only a matter of manual dexterity or hand-eye coordination, but contains within its historical semantics a wide range of meanings… …is not purely self-contained – does not take place in a vacuum. He interweaves literary and literary-historical threads with reflections on history… …interventions within the discourse of Ungeschicklichkeit. Breuer thus critically inherits the legacy of Adelung and Grimm – but “Ungeschickt” is not the first… …single word, ungeschickt, is justified rather by the claim that it not just a word among others but a red thread that makes it possible to trace a uniquely…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 1/2004

  Der geformte und der ungeformte Körper – Zur ‚Seele‘ literarischer Figuren im Mittelalter

  Zur ‚Seele‘ literarischer Figuren im Mittelalter
  

  Katharina Philipowski

  …models of human behaviour but not people. Their feelings and thoughts are not condensed into a ‘psyche’, but are moulded by a large number of narrative… …can address it as ‘mîn lîp’, using the third person pronoun. The inner realm of a figure is not the centre of identity, but an energy and a form which… …prepare and subjugate the body. It is thus not a matter of ‘psychology’, but rather of control. In der allegorischen Dichtung „die Pilgerfahrt des… …therfro, I wolde not haue supposed that euere it hadde be myn. 4 Die Haltung, die hier zum Ausdruck gelangt, lässt sich als Dualismus von Seele und Körper… …first name, since intelligence and wisdom and all the arts spring from the senses; and when I claime something or do not claim it, or when I buy or refuse…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2010

  Unbecoming Furniture

  Jason Groves

  …desks that do not fit their figures, and his narrators become unemployed in order to take a stand against unusable furniture. According to Walser’s… …ergonomics, they work while taking a break from work: in an interval of not working and not writing, in an interval of walking. Unbecoming Furniture (I)… …re-discovery of Walser’s legendary walks 3 , Walser criticism generally writes off the supporting role played by furniture in his writing, not only in the… …writing perhaps always tended to produce “keine rechten Buchstaben”, that is, they present an aberration not only from an established ortho-graphy, but… …‘Pult’) that do not fit his stature. Hardly a scene of writing occurs without reference to an ill-fitting desk unbecoming of the writer seated there. While… …enclosing letters he has not drafted, or where he drafts letters to which he will never sign his name. It is the site of an abandonment, where the writer… …frequently complain of having to stand or sit at desks that do not fit. The institutions whose furnishings support these writers therein deprive them of their… …Nachdenken und zu endlosem Überrechnen weitläufiger künstlicher Muster.” 15 What sponsors this link between the weaver and the writer is not just the… …material – a scene of writing but not the actual writing – and by being so unengaging that this other writing, to which Walser can sign his name, may emerge… …later, alongside an etching of an office scene made by Karl Walser, as the inaugural poem of Walser’s “Gedichte”. 21 Left undated, it is not certain when…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2010

  Stephan Krause: Topographien des Unvollendbaren. Franz Fühmanns intertextuelles Schreiben und das Bergwerk, Winter, Heidelberg 2009 (= Probleme der Dichtung, Bd. 42)

  Marijke Mulder

  …continuity Krause is after, therefore, does not reevaluate Fühmann’s thematic concerns, so much as draw out ways in which Fühmann’s oeuvre belongs to a living… …, and the subterranean labyrinths of the literary archive. As rhetorical sites, these topographies are marked not by objective boundaries, but by openness… …Heimat and lyrical voice in the adaptation of Hungarian (as well as Czech and Polish) poetry into German. This substitute corpus does not allow Fühmann… …zu” (29). It is not an aestheticization of Heimat that Fühmann achieves in his adaptations, but a transposition of the very notion of Heimat from a… …Budapest für Fühmann vor allem auch als poetische Orte” (35). It is important to underscore that these poetic spaces are not provincial sites. On the… …, Krause not only unlocks the resonances of the adaptations, but also shows us how an activity that may initially only have compensated Fühmann’s failure as… …decisions, he also makes clear that “das Moment des Unabschließbaren eben in jenem Gespräch-Werden des Gedichts [liegt]” (96). A decision is not exhausted in… …very realm of the literary – a threshold crossing that becomes a dominant metaphor in Fühmann’s subsequent work. The literary appears not as an objective… …(107). Fühmann’s Budapest is not a geographical topography, but a veritable library of modernism. Krause tracks down Fühmann’s abundant intertextual… …traces not only the literary topography of Fühmann’s Budapest, but also a theoretical topography that links its labyrinth to suggestive concepts such as…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2013

  Autodiegetisches Erzählen in der mittelhochdeutschen Literatur oder: Warum mittelalterliche Erzähler singen müssen, um von sich erzählen zu können

  Katharina Philipowski

  …nor common within Middle High German literature. ‘Minnereden’ often have a first-person-narrator, but one that is not an autodiegetic narrator, insofar… …as the subject of his narration is not himself. Autodiegetic narration takes place primarily in songs, for example those of Oswald of Wolkenstein or…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2008

  Feindliche Fürsten – hilfreiche Grafen. Anmerkungen zur Personenkonstellation in „Wolfdietrich“ D

  Walter Kofler

  …, kann er nicht nur als Kompilator, sondern muss auch als Dichter angesehen werden. The surviving versions of the “Wolfdietrich” do not permit a… …, “Wolfdietrich” D has a special position in the tradition which is not merely quantifiable. The constellation of characters shows the unusual independence of the… …humour to heroic elements. Since the D-editor clearly created text passages himself, he must be regarded not only as a compiler, but also as a poet. Die… …it geben, so helfent mir vs not“ (D 1729,4–1730,4). Kaum dass der alte Ritter sich davongemacht hat, kommen auch schon Hartman und Herman in Garte…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2012

  Hohe Kunst und Zeitungswaren

  Christian Meierhofer

  …forms of texts are reviewed which have not or little been considered so far but are essential for Kleist. Especially the amount of and difference between… …the schemes of genres in use provide not only an ostensible entertainment in reading but also a critical reflection on the Enlightenment-philosophical…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2015

  Das Ausdruckslose als Paradigma der Unvollständigkeit

  Die Figuration einer antimetaphysischen Universalität bei Walter Benjamin
  

  Hyun Kang Kim

  …expressionless and stresses that the expressionless functions not only as an aesthetic category, but also as a radical criticism of metaphysics. While a beautiful… …unity an additional factor not included in the sum of all parts. * Benjamins frühe Denkfigur des Ausdruckslosen, welche in seiner Schrift über „Goethes…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2016

  „Klar wie der Tag!“

  Evidenz und Recht in Friedrich Schillers „Maria Stuart“
  

  Christian Sieg

  …Stuart” (1801) does not just make discursive references to the law, but reflects the concept of evidence in legal discourse. It exemplifies how both legal… …the sublime and the beautiful. Schiller's tragedy shows that evidence has to be constructed, but it does not disavow evidence procedures. Rather, it… …uses the theatre as a medium which is not able to express the law discursively on its own. „O sein Verbrechen ist / Klar wie der Tag“ 1 verkündet im…

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